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September 9 – October 11, 2013
In Resplendent, the use of organic systems and visual sequences merge to explore the manner in which pattern may be realized. Delicate structures executed by each artist further investigate the relationship between material and image, while tantalizing the viewer with exquisite and often obsessive fabrication. Moreover, a landscape unique in the topography of material and form reveals a profound relationship with process— one that is both sensual and visceral.
The exhibition includes the following artists: Ben Butler, Beatriz Milhazes, Howard Paine, James Siena, and Susanna Starr.
James Siena, Upside Down Devil Variation, 2004 engraving, edition of 42 Published by Harlan & Weaver, Inc. Courtesy Harlan & Weaver, New York
Ben Butler, Furrow, Red and yellow cedar. 44 x 77 x 4 in. Courtesy of the artist.
Susanna Starr, Cherry Round, 2004. Hand-cut cherry veneer. 55 in. diameter. Courtesy of the artist.
September 9 – October 11, 2013
In Resplendent, the use of organic systems and visual sequences merge to explore the manner in which pattern may be realized. Delicate structures executed by each artist further investigate the relationship between material and image, while tantalizing the viewer with exquisite and often obsessive fabrication. Moreover, a landscape unique in the topography of material and form reveals a profound relationship with process— one that is both sensual and visceral.
The exhibition includes the following artists: Ben Butler, Beatriz Milhazes, Howard Paine, James Siena, and Susanna Starr.
James Siena, Upside Down Devil Variation, 2004 engraving, edition of 42 Published by Harlan & Weaver, Inc. Courtesy Harlan & Weaver, New York
Ben Butler, Furrow, Red and yellow cedar. 44 x 77 x 4 in. Courtesy of the artist.
Susanna Starr, Cherry Round, 2004. Hand-cut cherry veneer. 55 in. diameter. Courtesy of the artist.